Under the direction of filmmaker Wes Anderson, the remembered actor, who is now 70 years old, will return to the big screen with the film ‘The French Dispatch’.
The New York Times
Born in Chicago, Bill Murray began his career there, in the famous improvised comedy group Second City. It was a season in Saturday Night Live (1977-1980), and then moved to the big screen with the sizzling and somewhat crude comedies of popular blockbuster such as Meatballs (1979), Caddyshack (1980), Stripes (1981) and Ghostbusters (1984).
However, unlike many others who started out as light-hearted comedians, Murray has worked steadily to broaden his range, proving his reaches in more subtle comedies such as Groundhog Day (1993) and in Slowly (1998) by Anderson; but also in dramas like Wild Things (1998), Hamlet (2000) and Lost in Translation (2003), by Sofia Coppola. It is one of the few that can appear almost anywhere, defying public expectations, usually with great success.
But it also has its idiosyncrasies. The most notable is that he is known for taking a long time deciding whether or not to accept a role.
When George Clooney told me the story of Monuments Men I thought it would be a lot of fun, ”he recalls. For most actors, that would have been enough to sign. But for Murray it was the beginning of a long process of meditation that lasted a year. And then he decided that the story was fascinating and that no one had told it.
The core of the problem, Murray explains, is that he wants to make sure he is making the best decision. Each movie he has made means several more that he has not made because he is busy with the first one. His standards are high and he doesn’t want to be wrong as long as he can help it.
“I want to work with great actors,” says Murray. “I want to work with wonderful directors who have all the things figured out. I love a script in which everyone has their turn.
“I want to finish a job thinking that I would do it again the next day,” he said in an interview for The New York Times.
“Someone once revealed the secret of life to me,” Murray said. “We must remember that we can do our best when we are relaxed. I believe that the more relaxed we are, the better we are in life ”.
“That is more or less the reason that I got into acting,” he continues. “I knew it would be fun, and the more fun it was, the better. I knew that whatever the mood I was in, I could go to work and relax playing different roles. “
“I’m not the best at what I do, but I do really like my job,” adds Murray. “I don’t always like the things that this entails, but I am a better person because of my work. My whole day is better when I’m working. “
Knowing the best directors of this time, he has worked with everyone from Sydney Pollack and Tim Burton to Sofia Coppola and Jim Jarmusch, and has made nine films with Wes Anderson, to which is added his recent The French Dispatch, which is described as a love letter to twentieth-century journalism.
Anderson, 52, has confessed that he grew up watching Murray’s early films and considers him a comedy legend. But Murray feels better about being looked up in more prosaic terms. “I’m not a mature guy, but I am old,” he says. “When working with young directors, I fall for them like the uncle or the old father. They look for me to do those roles. “
“It’s sensational,” he says. “I can work with all these talented young people and do something different every time.”
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For Bill Murray, each new role is a challenge | Cinema | Entertainment